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Flute in chamber music
- quintets and sextets
Works are in alpabetical order, durations are in parenthesis:
ECLIPSE for flute, oboe, clarinet, trumpet, horn, trombone, and three percussion by Howard J. Buss was written in 1974. There is a feeling of suspense throughout during this musical representation of a solar eclipse.
Sound Samples: Excerpt
1.mp3; Excerpt 2.mp3 - Video on YouTube
Order from Subito Music.
FIVE STARS (2004) for wind quintet (flute, oboe, clarinet,
horn, and bassoon) by Howard
J. Buss. Each of the 5 movements features a different instrument: Into the Maelstrom features the flute, A Distant Glow (horn), Orbits (oboe), The Message from the Cosmic Sea (bassoon), and Dance of the Stars (clarinet). This music is sophisticated, yet audience-friendly, and is well suited for school outreach concerts. (1710") Grade V.
Sound Excerpts: Mov.#1.mp3; Mov.#2.mp3; Mov.#3.mp3; Mov.#4.mp3; Mov.#5.mp3
Videos on YouTube: I. Into the Maelstrom, II. A Distant Glow, III. Orbits,
IV.The Message from the Cosmic Sea, V. Dance of the Stars
Music available from Cimarron Music Press
ISLAND OF ENCHANTMENT “5 Vignettes from Puerto Rico” for flute, clarinet, French horn, bassoon, and piano was written during the summer of 2022 for clarinetist Dr. Kathleen Jones and the 40th Anniversary of Camerata Caribe of San Juan, Puerto Rico. An English horn may be used as a substitute for the French horn. Camerata Caribe premiered the work on February 5, 2023 in San Juan, Puerto Rico. The five movements are: Sunrise Paints the Land, To the Shore “Arecibo”, Glowing Water “La Parguera”, The Rain Forest “El Yunque”, and Mongoosian Intrigues. (12') Grade V-VI. Score sample: Excerpts.pdf
- Video on YouTube
Sound samples: Movement_1.mp3; Movement_2.mp3;
Movement_3.mp3; Movement_4.mp3; Movement_5.mp3
Music available from Cimarron Music Press
MODERN TIMES (1995) for narrator,
flute, and four percussion (words and music by Howard
J. Buss) is a depiction of life in our time.
Provocative, at times mystical, and occasionally humorous, this work addresses
an eclectic range of subjects such as taxes, neglected children, team
mascots, and the information glut. "The tenor of Buss'
social commentary is somewhere between the witty jeering of Mark Twain
and the pithy insights of Sinclair Lewis. In his free
verse one finds provocation without violence and intense anger without
profanity." - The Tampa Tribune.
Modern Times transports the
poetry into the dramatic and colorful sound world of the flute and percussion
ensemble. The result is a unique and fresh view of the culture(s) in which
The writing is mature and
fresh, yet is within reach of a solid college ensemble. - George Frock, Percussive Notes Magazine.
This work is well-paced, colorful and accessible
to audiences not familiar with complex percussion literature. This
is truly one of the finest works in our idiom.- Robert
McCormick, Florida Percussive News The 8 movements may be performed individually or in smaller
groupings. Recorded on the CD Howard J. Buss: Modern Times, available from the composer.
I. Info Glut Sample.mp3; II. Night Tide Sample.mp3;
III. The Hunt Sound Sample.mp3; IV. Five Question Interlude Sample.mp3;
V. The Asphalt Blanket Sample.mp3; VI. To a Neglected Child Sample.mp3
VII. Giggles!?! Sample.mp3; VIII. Modern Times Sample#1.mp3; Sample#2.mp3
Video on YouTube
Percussion distribution: Perc. 1: Xylophone, lion roar,
tam-tam, vibraslap, suspended cymbals, Chinese bell tree & bongos; Perc. 2: Marimba, snare drum, bass drum, anvils (metal pipes
may be substituted), glass jug or jars (to be broken for the sonic effect),
conga drum, wind chimes & triangle; Perc. 3: Vibes,
roto toms, tambourine, tam-tam, police whistle, shaker, duck call; Perc.
4: Orchestra bells, timpani, agogo bells, suspended cymbals,
hi-hat, wind chimes, wood block, frog croak (may be imitated vocally),
boing box effect (a flexitone may be substituted), triangle & guiro.
(30) Grade V.
Music available from Cimarron Music Press
MYSTERIOUS EXIT (1993)
for flute and 4 percussion by Howard
J. Buss. The title refers to the inexplicable disappearance of the
14th Century Sinagua Indians who inhabited an area in what is now the
State of Arizona. This composition was inspired by the composer's
visit to the Sinagua pueblo ruins and is a musical representation of how
the Sinaguan culture graced the austere and forbidding landscape of the
region. The central section of the piece exhibits some of the intriguing
rhythmic asymmetry found in Hopi dance songs.
Recorded
on "Premiers Vol.1" (CD available from the composer)
(11'30") Grade IV-V.
Sound Sample#1.mp3; Sound
Sample#2.mp3 - Percussion:
Perc. 1: Orchestra bells, temple blocks, suspended cymbals,
rattle, and wind chimes; Perc. 2: Marimba, and suspended cymbal;
Perc. 3: Xylophone, and suspended cymbal; Perc. 4:
Vibes, tom tom, sleigh bells, rattle, suspended cymbals, and a
bell tree. View on YouTube
Music available from Cimarron Music Press
OCEAN MOODS “Three Sonic Portraits” (2014) for flute clarinet, violin, viola, and cello by Howard
J. Buss ranges from lyric tenderness to powerful and sometimes dazzling technical displays. The 3 movements, Vistas, From the Depths, and Blustery, explore a wide range of sonic atmospheres and moods. (13’30”)
Grade V-VI. Score samples: Movement 1.pdf; Movement 2.pdf; Movement 3.pdf
Sound samples: Movement 1.mp3; Movement 2.mp3: Movement 3.mp3 - Video
Music available from Cimarron Music Press
SKYLINES, version for woodwind sextet by Howard J. Buss, was originally composed for trumpet and piano in 2002. This version for woodwind sextet, commissioned in 2019 by Victoria Ward Ltd. in memory of clarinetist David Marshall, is scored for flute, oboe, English horn, clarinet,
bass clarinet and bassoon (an additional bassoon part is provided as a substitutute for the bass clarinet, part 5.) This is a musical urban portrait in 2 movements: No specific city is depicted; rather, the composer captures, in a broad manner, the essence of the big city spectacle. The lyrical and majestic first movement, Panorama, suggests the expansive grandeur of cityscape. The second, Amid the Spires, is influenced by jazz and captures the dynamic energy of life on the busy streets.
Score and parts are included. (10’30”) Grade V.
Sound samples: 1.mp3, 2.mp3; 3.mp3; 4.mp3
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Score sample: Excerpt.pdf
Music available from Cimarron Music Press
WHERE NOW RUSTS THE IRON? (1994) by
Howard J. Buss for high voice (soprano or tenor), flute,
cello & six percussion is a dramatic tribute to the composers grandfather
who, like many ironworkers in his day, worked under brutal conditions
with the dream of making life better for future generations. A
moving work touching our communal soul. (8) Grade IV-V.
Score sample: Excerpt.pdf
Music available from Cimarron Music Press
Percussion distribution: Perc.
1: Timpani (4), orchestra bells, tubular bells (shared with perc.
2) and finger cymbals; Perc. 2: anvils (metal pipes may
be substituted), and tubular bells (shared with perc. 1) Perc.
3: Xylophone, and suspended cymbal; Perc. 4: Vibes
and suspended cymbal; Perc. 5: marimba; Perc. 6: suspended cymbals, tam-tam, wind chimes and bell tree.
Percussion Set-up Chart
Text: Where Now Rusts the Iron?
Homes now stand where once the foundry coughed.
Countless tons of iron -
wheels and pans,
boilers and pipes,
latches and plates.
Countless train loads of hardware
shrieked from the pounding, grimy world within.
Iron converted from life itself,
energy given form.
Precious moments, days, and years
poured into molds and sealed
amid the ashes and dust,
always ashes and dust,
suspended in life-stealing air.
The graves of the workers overlook this place,
their famlies spread afar.
Season come and go, yet frozen in memry
are the days of youth spent in toil, hope, and purpose.
Where now rusts the iron once cast by pounding hearts,
releasing the dreams, the souls,
invested in tough, cold metal?
The foundry still stands among the houses,
coughing on smoke-laden air.
Invisible as the iron once made,
its souls as mist remains. - Howard J. Buss
Copyright © 1994 by Brixton Publications
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Howard J. Buss, Composer
Search by Instrumentation
Index of Flute Publications:
(Click on an instrumentation link, works are in alphabetical order within each category.)
Solo flute - unaccompanied
Flute with one other instrument, or voice, or electronic recording (includes flute and piano)
Flute ensembles (flute trios, quartets,and choirs)
Flute in chamber music - trios
Flute in chamber music - quartets (includes standard woodwind quartets)
Flute in chamber music - quintets and sextets (includes wind quintets)
Flute solo and wind ensemble
Flute Music, Online Graded Catalog of Sheet Music
Product description: Flute, Piccolo, and Alto Flute: Solos, Duos, Choirs, Chamber Music and Recordings
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